recordings 2008​-​2015 deep blue orchestra

by chucknee

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about

deep blue orchestra

violin:
evan setiawan
greta kelly
liz young
naomi otto
sallie campbell
sofia di stefano
caity lacey
deanna connelley
frances hyu
imogen gilfedder
jenny marshall

viola:
alice buckingham
silas palmer
heidi chappelow
richard grantham - violin/viola/piano
sophie mathison
dave collins
tim tate - viola/theremin

cello:
emma hales
sophie adamus
wayne jennings
briony luttrell
danielle bentley

bass:
amanda tio - double bass
chloe-anne williamson - double bass
sam pankhurst - double bass/electric bass
gwen warnick - double bass/electric bass

emu:
alex hodgins - piano/wurlitzer/keyboards/sax
allan bremmer - electronics/trumpet
dane alexander - electronics
phill wilson - electric guitar
hik sugimoto - drums/electronic drums

vocals:
kathy griffin
miranda bertram
ross montgomery
greg cameron

The big bounce sample taken from the jerry fairbanks production "the big bounce" 1960 - narrated by larry thor - public domain/creative commons license.
Hk western sample taken from "shachiapang: an outstanding example of theatrical art on revolutionary, contemporary themes" 1967 - performed by the central philharmonic society.

all music and orchestration by chucknee
photo by hung pham - deep blue performing at Hue festival, Vietnam, 14/4/2014
recording production phill wilson
produced by peet gardner, andy arthurs, alex hodgins, kayne hunnam
engineered and mixed by peet gardner, tristian hoogland, yanto browning, dane alexander, michael smallman, andy arthurs, kayne hunnam
assistant engineers - ben mclure, alex miller, josh tuck
mastered by paul gomersall, benchmark mastering
executive producers - andy arthurs, darren clark (creative media warehouse)
recorded at abc studios, ferry road, west end and gasworks, fortitude valley, brisbane.

originally released on creative media warehouse 1.0 preview (2008), 2.0 the dream (2010), 3.0 who are you (2012)

credits

released January 1, 2015

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about

chucknee Brisbane, Australia

“Thanks for sending in your info and tape.
I have absolutely no idea what this is meant to be, or what you expect me to do with it …completely unsuitable in terms of what I’m looking for. I work on songs, not Chinese surf-punk instrumentals (I didn’t know there was such a thing before your CD arrived).”

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